The legal disputes surrounding copyright ownership of musical compositions in India have evolved into a complex and persistent issue, involving prominent composers such as AR Rahman and Ilayaraja.
Previously, Rahman expressed his vision that future compensation should primarily benefit music creators and performers, while music itself should be freely accessible. However, complications have arisen concerning the rights to their earlier works.
In Rahman’s case, attempts were made to prohibit the unauthorized remixing of his songs. Nevertheless, the courts determined that Rahman had previously transferred the rights to his creative works to producers and music labels, thereby relinquishing exclusive control over them. This ruling underscored the intricate nature of copyright ownership when composers create music for films.
More recently, the acclaimed composer Ilayaraja has become entangled in legal battles concerning the utilization of his compositions in films such as Manjummel Boys and Rajinikanth’s latest movie Vettaiyan.
Asserting his position as the composer, Ilayaraja contends that he retains copyright over his works, distinct from the rights held by film producers. The Madras High Court has accepted his petition challenging a prior injunction that prevented him from asserting copyright over his compositions.
Regarding the reuse of older albums, it is established that producers and music labels typically hold the rights and are entitled to charge fees accordingly. However, concerns raised by Ilayaraja about proper crediting may lead to further legal disputes. Opinions among the younger generation (Gen Z) are divided on Ilayaraja’s assertions.
Some advocate granting Ilayaraja full rights in recognition of his significant contributions to film music, while others jest that such claims could lead to unprecedented demands, such as royalties for singing his songs during routine activities. This division in public opinion awaits resolution through judicial proceedings.
